All the things you need to get the most out of your photography!
Datacolor Spyder4Pro Monitor Calibration Package ($119 – B&H Photo)
A calibrated monitor is indispensable when it comes to editing photos. On their own, most monitors have a very strong blue-to-green color cast along with poor tone and color rendition. A monitor calibrator analyzes the output of the monitor against a fixed standard, generates a corrected profile, and gives this information to your video card, where it is applied to the output.
The corrected color and tone mean that things look more like they’re supposed to, whether it’s photos you’re editing, movies you are watching, or whatever. If you spend a lot of time in front of the screen, you’ll find a calibrated display is easier to look at, because the greys and whites of the windows actually look grey and white.
Be warned: the first few times you use a calibrated monitor, the greys and whites will look reddish, because you’re used to a blue-tinted display. But eventually, you’ll wonder how you ever got on without one.
Monolight Strobes (Alienbees 400, 800, 1600 – $225-360, Paul C. Buff, Inc.)
I love these little guys — they’re the only lights I use now. Ladyada uses them too! They’re well made, reliable, not too expensive. Granted, there are less expensive generic monolights out there, but I’ve never found any of them to be as durable as the Bees. And the customer service from Paul C. Buff, the manufacturer, is excellent. I also like that they offer a full line of accessories which are equally well made.
Another point to consider is that it’s very easy to make your own modifiers. Unlike many light systems, which use a custom flange/bayonet for mounting things to the light, the Bees use a a simple spring clamp, which fits inside a 3.5″ circle. If you want to attach your own modifiers, just cut the appropriately-sized hole in them with a hole saw and clamp them on.
There are three models of the classic AlienbBees light: the B400, the B800, and the B1600. The only difference between them is light output. The 400 puts out plenty of light for shooting things like products on a table or headshots, but consider upgrading to a B800 or B1600 if you plan to do large group portraits or use a large softbox (softboxes absorb a LOT of light).
Manfrotto 055XB Tripod with Quick-release Ball Head ($265 – B&H Photo)
You can buy one good tripod for $230 and keep it for life, or you can buy a $99 tripod every 12 months when your old one breaks. Aside from providing a camera platform for self-portraits, a solid tripod is very useful for landscapes and cityscapes. It’s also absolutely critical for macro shooting, where shutter speeds are rather long and vibration can be a significant problem. Speaking of macro…
Dedicated Macro Lens ($300-900, depending on focal length and manufacturer)
For folks looking to take close-up photos to the next level, you should consider buying a dedicated macro lens. Most zoom-telephoto lenses have some macro capability, but it’s limited, and the quality is often less than ideal. Dedicated macro lenses are available for nearly all SLR brands, often in several different performance tiers and focal lengths. Nikon, for example, offers a 40mm macro for cropped sensor (DX) cameras ($276), a 60mm midrange ($550) and their top-of-the-line 105mm with vibration reduction ($900). Likewise, Canon offers a 60mm ($500) and two versions of their 100mm lens — the standard version ($600) and an L version ($900), as well as some specialty lenses. Macro lenses are optimized for performance at close focusing distances and larger magnifications, which means they tend to have greater resolving power. This translates to a much sharper lens in general use.
If you plan to take pictures of subjects like flowers, lenses in the 60mm range (or the Nikon 40mm) are a good choice because they have a wider field of view. They also tend to lighter and be more compact, which is nice if you’re walking around with them all day. The downside is that you have to get closer to small subjects in order to fill the frame, which can be uncomfortable and interfere with lighting (you + your camera block the light).
For subjects which are smaller or further away, the 100mm range is useful because it gives you a greater working distance between the camera and the subject — that is, you don’t have to be right on top of the subject to take a picture of it. These lenses are also wonderful as portrait lenses, due to their large aperture (f/2.8), which allows you to throw the background completely out of focus — many of them have image stabilization too.
A nice compromise between 60 and 100mm is the highly-regarded Tamron 90mm/2.8 ($500), which is available for Nikon, Canon, Sony/Minolta and Pentax cameras, and also has image stabilization.
LowePro SlingShot 202 AW Backpack ($62 – B&H Photo)
A nice, lightweight back for day tripping and hiking. Enough room for three or four lenses, a speedlight, memory cards, and a pocket on top for all your other stuff. It also has a built-in ‘raincoat’ you can deploy to keep your gear nice and dry.
Dedicated Hard Drive for Photos (prices vary by size — numerous vendors)
It’s a wise idea to keep all personal photos on a dedicated hard drive, physically separate from your OS and applications. Store all originals and edits on this drive, and don’t use it for anything else. At least once a year, it’s a good idea to buy a new one, copy the most recent photos onto it, then remove and store the original in a secure place (like a safe or safe-deposit box at a bank). These are your original photos, so you should take care of them.
If you’re going the safe deposit box route, consider buying a smaller 2.5″ laptop harddrive, which takes up less space. Remember that this drive is only used for storing and loading photos, and not for constant use, so you can get away with a 5400RPM model and/or a 16MB cache.
Boom Lightstand with 22-inch Reflector ($85 – B&H Photo)
Great for shooting small stuff on a tabletop, and particularly useful for shooting video. The reflectors can be used to bounce light back into a scene and to provide fill light. You can use the disc without a reflective covering as a diffuser, or use it with a cover to cast a shadow. You can also mount a speedlight on the boom arm to put a light source in an otherwise difficult spot, or use the clips to mount a small acrylic mirror, for a focused fill effect.
Here are your 2013 shipping deadlines for ordering from Adafruit. Please review our shipping section if you have specific questions on how and where we ship worldwide for this holiday season.
UPS ground (USA orders): Place orders by Friday 11am ET – December 13, 2013 – There is no guarantee that UPS Ground packages will arrive in time for Christmas.
UPS 3-day (USA orders): Place orders by Thursday 11am ET – December 19, 2013 – Arrive on 12/24/2013.
UPS 2-day (USA orders): Place orders by Friday 11am ET – December 20, 2013 – Arrive on 12/24/2013.
UPS overnight (USA orders): Place orders by Monday 11am ET – December 23, 2013 – Arrive on 12/24/2013.
UPS International: Place orders by Monday 11am ET – December 16, 2013. Can take up extra time due to worldwide delays and customs. Should arrive by 12/24/2013 or sooner.
Please note: We do not offer Saturday service for UPS.
Wednesday, Dec. 25, 2013, Christmas, no UPS pickup or delivery service.
Wednesday, Jan. 1, 2014, New Year’s Day, no UPS pickup or delivery service.
United States Postal Service, First Class and Priority (USA orders): Place orders by Friday – December 13, 2013 – Arrive by 12/24/2012 or sooner.
USPS First class mail international (International orders): Place orders by Friday – November 22, 2013. Can take up to 30 days ore more with worldwide delays and customs. Should arrive by 12/24/2013 or sooner, but not a trackable service cannot be guaranteed to arrive by 12/24/13.
USPS Express mail international(International orders): Place orders by Friday – December 13, 2013. Can take up to 15 days or more with worldwide delays and customs. Should arrive by 12/24/2012 or sooner.
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