This project focusses on nested forms, sculptural works that elicit an architecture of sound. These Volumes for sound are concerned with materializing the funneling, folding and porting of sound.
These nested forms stem from objects that are manufactured independently, then drawn together as a result of relationships in domestic and architectural situations. For instance, the triangulation that occurs when a listener sits in a chair in front of a pair of stereo speakers. These forms are also inspired by historical sources such as the famous 1979 Maxell cassette tape ad campaign, the intricate interiors of modern loudspeakers, and artist Kurt Schwitters ‘Merzbau’ constructions.
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