Goff considers the work a translation and dimensional contour drawing rather than replica, as pieces like the floor of the vehicle are missing from the final work. Although the color also deviates from the original, Goff believes its stark quality fits the feel of the piece. “I had considered making it the color of my grandfather’s, but in the end I decided white was perfect,” said Goff. “It’s forlorn and forgotten, a ghost rider of sorts. It’s about memory and loss and is ultimately a memorial to my grandfather and to the city of Detroit.”
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