The Guardian has a great story about a music festival in London that will honor women pioneers of electronic music. Check out the article for all the details:
One such figurehead was Daphne Oram, who noodled with modular machines at the BBC Radiophonic Workshop in its early days, before the studio created the seminal Doctor Who theme. Still Point, her 1950 piece that combines pre-taped sounds played from 78 rpm discs with a live orchestra, will be performed for the first time ever on Friday by turntable manipulator Shiva Feshareki and the London Contemporary Orchestra.
Other pieces to appear at the festival come from Laurie Spiegel and Eliane Radigue, her sometime studio mate in the 1970s. The former programmed synths before computer-based controllers were a twinkle in a techno DJ’s eye, and you’ll be able to hear a collection of her works next Saturday. French composer Radigue, meanwhile, was an early convert to the ARP 2500 synth (the same one used to communicate with the aliens in the film Close Encounters Of The Third Kind). She also brought Buddhism into modular synthesis, creating a heavy, lush drone, as in her 11th-century-Tibet-inspired piece Jetsun Mila.
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