Collectively titled Zobop, Jim Lambie’s vinyl tape installations mark off floors and stairs with colorful and repeating patterns, typically consisting of seven to nine rotating hues. The site-specific works conform to the architectural outline of each space, tracing the sharp edges of moulding or square bases of monumental columns. To begin each new work Lambie first outlines the widest possible edge, typically starting where the floor meets the wall. From here, he alternates widths for his lines, mixing up thin strips with those that are a couple of inches thick until he reaches the center of each space.
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