In the track titled “Musique Isotype,” I’m using chopped up and processed basketball sounds to create fractured rhythms and bouncing conflagrations of sound. Basketball sounds are a fantastic source of inspiration for a musician, I find, but to really benefit from the variety and elasticity of basketball rebound sounds, I had to swab entire training sessions, rather than merely sample a short rebound.
This particular track, as well as the entire CD, references Mary and Otto Neurath, the creators of the Isotype concept in the 1930s, in an analogy between Isotype charts to represent big data, on the one hand, and samples from existing sound material to make sense of the ginormous amount of sounds floating around on the internet, on the other hand.
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