Kristen Morgin’s sculptures are astonishing in just how insignificant they at first appear. A viewer might confuse them for a collection of decades-old knickknacks or vinyl records, selected and assembled to evoke a sense of disuse and decay. But a closer look reveals that the aged blocks or figurines or a VHS copy of Grease are not those things at all. They are almost exact copies, but created with unfired clay.
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