Some artists often appear to separate their work from nature, as if they are actually disconnected from it, but for Swiss artist Julian Charrière, the opposite holds true. In recent projects he has made a point of bringing nature or Earth into the gallery, reminding visitors that the umbilical cord between humans and nature still exists. Charrière also explores time, in its geological sense, and the fields of archaeology, biology, history and physics.
Now on view at Sean Kelly gallery, Freeze, Memory, Charrière’s first New York exhibition, showcases three recent projects—Polygon, Tropisme, and Metamorphism. For the first of these three, the artist ventured into the Semipalatinsk nuclear test site in Kazakhstan for a series of photographs in the analogue medium format. But Charrière didn’t just snap some photos—he also exposed the film to the site’s nuclear radiation.
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