The 1982 film Blade Runner imagined 2019 Los Angeles as a dystopia of noirish neon and replicants, robots sent to do hard labor on off-world colonies. It’s a future in which engineered beings are so close to humans as to make the characters question the very nature of life. We’re now just a couple of years from this movie’s timeline, and although our robots are still far from mirroring humanity, our science fiction continues to envision giant leaps in technology that are often rooted in contemporary concerns of where our innovations are taking us.
Patrick Gyger, curator of Into the Unknown: A Journey through Science Fiction at the Barbican Centre, told Hyperallergic that, for him, science fiction “allows creators to look beyond the horizon of knowledge and play with concepts and situations.” The exhibition is a sprawling examination of the genre of science fiction going back to the 19th century, with over 800 works. These include film memorabilia, vintage books, original art, and even a kinetic sculpture in a lower-level space by Conrad Shawcross. “In Light of The Machine” has a huge, robotic arm twisting within a henge-like circle of perforated walls, so visitors can only glimpse its strange dance at first, before moving to the center and seeing that it holds one bright light at the end of its body.
Eink, E-paper, Think Ink – Collin shares six segments pondering the unusual low-power display technology that somehow still seems a bit sci-fi – http://adafruit.com/thinkink
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