I like to be thrown off balance. Not physically so much, but psychically and intellectually. I like to watch myself trying to right myself and am fascinated by all of the tiny micro adjustments involved in making the world make sense again when it hasn’t for a moment. Or longer.
I don’t know why I like these kinds of experiences, but I do. There’s something about the combination of the challenge they involve and the dear opportunity to observe one’s mind’s functioning in its peak adaptive capacity that I find deeply satisfying. Once the experience of imbalance is over.
Seeing the seams in the seamlessness of consciousness makes me feel very alive.
While waiting to enter “The Chalkroom” (2017), I encounter a friend who has just experienced the piece, trying to get a wait-list slot for another viewing. He works at one of Massachusetts’ many burgeoning marijuana startups, and can’t say enough about how much he enjoyed the piece. He’s testing a new product out and it works perfectly with Laurie Anderson’s VR. His lover, who is not testing any products, enjoyed it just as much. But neither can explain why.
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