Sime’s work achieves effects from dense narrative to austere modernist abstraction. The artist resists the collagist’s shorthand of using discarded objects as traces or poetic stand-ins for human feelings or individual lives, favoring instead the idea of what Frieze writer Quinn Latimer has called “the feverish fusion of a multivalent society.” Sime is as interested in a stripped motherboard from a mobile phone as he is an animal skull or worn-out button: the artist looks past the emotional weighting of new versus old, instead finding renewal everywhere, and taking greatest interest in the way that objects and ideas can connect in new ways.
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