[Syd] Mead was hired to design vehicles for Blade Runner, but he did what he has always done: he immersed his transportation ideas within a story, and, essentially, painted his way into the movie. By the end, his hand could be felt on everything, from the objects Harrison Ford held to the dripping city streets he walked.
“The movie industry has really changed since then, moving toward one-stop shopping,” says Mead. “As an independent, I might get hired to design one thing, like when they asked me to do the Mask-Maker for Mission: Impossible III, because they wanted something that would look like it could actually work. But usually the same shop does the sets and the props. Blade Runner was different.”
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