Sorey also invokes much older, and continuing, pain and Black experience in the U.S. Near the end of composer Morton Feldman’s 1971 piece Rothko Chapel, a melody bubbles up for the viola — one that Feldman called “quasi-Hebraic.” It evoked Feldman and Rothko’s shared Jewish heritage. In his piece, Sorey uses an abstracted version of the spiritual “Sometimes I Feel Like A Motherless Child.”
Sorey says utilizing “Motherless Child” is a way of talking musically about generational trauma — just, as he says, Feldman did in his own work with that “quasi-Hebraic melody.” He also points out that spirituals have been part of the underpinning of some of his other recent works as well, including Cycles of My Being, Save the Boys and Death.
Every Tuesday is Art Tuesday here at Adafruit! Today we celebrate artists and makers from around the world who are designing innovative and creative works using technology, science, electronics and more. You can start your own career as an artist today with Adafruit’s conductive paints, art-related electronics kits, LEDs, wearables, 3D printers and more! Make your most imaginative designs come to life with our helpful tutorials from the Adafruit Learning System. And don’t forget to check in every Art Tuesday for more artistic inspiration here on the Adafruit Blog!
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Every Tuesday is Art Tuesday here at Adafruit! Today we celebrate artists and makers from around the world who are designing innovative and creative works using technology, science, electronics and more. You can start your own career as an artist today with Adafruit’s conductive paints, art-related electronics kits, LEDs, wearables, 3D printers and more! Make your most imaginative designs come to life with our helpful tutorials from the Adafruit Learning System. And don’t forget to check in every Art Tuesday for more artistic inspiration here on the Adafruit Blog!
