Writer Pat Murphy once articulated a sense many have that in the world of science fiction the attitude toward women writes is often a kind of rumbling, and that “this rumbling says: ‘Those damn women are ruining science fiction.’ They are doing it by writing stuff that isn’t ‘real’ science fiction; they are writing ‘soft’ science fiction and fantasy.” As a response, legendary Science Fiction editor Chrstine Yant and Lightspeed Magazine created a special issue called Women Destroy Science Fiction! The issue was a smashing success. Now, Uncanny Magazine has come out with an issue they’re calling Disabled People Destroy Science Fiction. Here’s more from Uncanny:
As with the previous Destroy projects (Women, Queers, People of Colour), Disabled People Destroy Science Fiction takes the rallying cry of We are here and Our stories matter and looks to the future. The other projects all began by “destroying” science fiction, and this one is no different. By turning our attention to the future, we are able to explore concerns and realities in the present and amplify them, correct them, highlight the ways they might become better or worse if allowed to continue on their present course. Through science fiction, marginalized people are able to say, We are here, now, and we will be there later, too.
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Throughout the stories, nonfiction, and poetry in Disabled People Destroy Science Fiction, you will encounter narratives and experiences that may be familiar, or not. Perhaps some disabled readers or writers will encounter an experience they recognize, but handled slightly differently than their own. No one experience of disability is the disability experience. Many of the themes dealt with by our authors could, and likely would, be handled in radically different ways by other disabled authors. And that’s the point. The Destroy projects are important to the field because they amplify the work of a specific demographic at a specific point in time, but they are only a small part of what needs to be an ongoing conversation. We need more of those narratives, with a broad range of experiences.